OVEIDO
Sunday, July 13th, 2008Once again I was approached by a guidance counselor and told that there was a move afoot to have me tossed out of school. “I’m paid up—my grades are good and I haven’t missed a single class or lab. What’s the problem?”
“You’re classmates are afraid of you.”
“They’re the ones trying to get rid of me—I’m the one that should be fearful here.”
“Well, are you?”
“Not really. I would think they would need more of a reason than some contrived fear of competition or because they hate their fathers. And I certainly hope I’m not related to anyone here.”
In the meantime, in between time I still had a small bucket load of money due me from the regional distributor of Mountain Valley Water from Hot Springs Arkansas, the man with the security clearance, the man who served bottled spring water to the White House and the Congress. He owned property and warehouses and trucks and he had his own gas pumps. He was behind in his payments, but a man of his claimed respectability wouldn’t skin a poor working stiff student, would he? An American Value?
I escaped from Elvis and his CIA father. North of Orlando, north of University of Central Florida, east and far enough away from Full Sail and off the beaten path, on a dead end dirt road, I found a house where Toots the cat could hunt and eat lizards and I could once more have a little peace, Oviedo. It was living in the sticks with the mall and coffee shop down the road a piece. There were only six houses on the road and all on the same side. The opposite side was overgrown and mushy—wetlands I presumed. The house was big enough for a small army and my truck fit into the garage so Iris could hide.
The results came back on our fifteen minute screen plays and I was the only one in the class with a perfect score—my script would be the midterm class project. No wonder they wanted to get rid of me. The one thing I took into consideration when writing my script was: Was it doable for a bunch of students? I had the locations sighted the set created in my mind and a limited number of scenes. Since it was a class project everyone got input and the losers attempted to make it impossible with impossible demands for spiral staircases and flowery poetry readings by actors. I increased my popularity by fighting outrageous demands every step of the way with passionate argument and degrading innuendo. Oh so doomed I was. I was having fun.
With all that was going on I began a screen play—DARK STAR—A black woman had dreams of being Christ reincarnate complete with stigmata. She befriended a cab driver who people began to believe was the Anti-Christ. I passed around all of my work to faculty and students alike at Full Sale—including TAKE A BITE OF THE APPLE—the song, the script and the storyboard. And Al Gore was in the process of making the information highway a viable entity. My computer couldn’t access it but Brian Eight Ball was logged on to America On Line. This was all new stuff but the school wasn’t there—they were turning out grips and Best Boys. I had one of the few cell phones in the entire school and it came in handy driving a taxi.